The Opera Critic
Theodora da Silva/Int. Händel Festspiele Göttingen "Emily Fons is excellent as Faramondo – clearly a young man staking out his own...
Financial Times
Photo: Theodora da Silva/Int. Händel Festspiele Göttingen "The gifted young mezzo-soprano Emily Fons extracts all its poignancy and demonstrates ample vocal...
NewOutpost.com
Theodora da Silva/Int. Händel Festspiele Göttingen "Further reinforcement came from the ideal Siebel of mezzo-soprano Emily Fons, whose smooth lyric voice...
Chicago Classical Review
Orlofsky in Die Fledermaus with the Lyric Opera of Chicago (Photo: Dan Rest) "As Prince Orlovsky, former Ryan Center member Emily...
Seen and Heard International
Photo: Dan Rest "Emily Fons made the character of Count Orlofsky a pivotal part of the evening, with her rich mezzo...
The Santa Fe Reporter
Photo: Ken Howard "Emily Fons as Cherubino deserves special mention. She’s had illustrious predecessors here in the role, Helen Vanni, Frederica...
The New York Times
Photo: Ken Howard "The pleasures of “Le Nozze di Figaro” were different, achieved through the work of a unified and multitalented...
The Chicago Tribune
Photo: Ken Howard "As for Fons' Cherubino, has there ever been a more winning impersonation...Her "Voi che sapete" is enough to...
Madison Magazine
“Fons immediately unwrapped the vocal gifts that have put her on a firm track to the world’s major opera houses: a coloratura range and flexibility...
Encore Michigan
“In the role of Sesto, mezzo soprano Emily Fons made a major impact with her gleaming voice; she sang the role of Cornelia’s son with...
